Artist and photographer Ori Gersht discusses four photographic works, Afterwars, White Noise, Rear Window and Pitch, that emerged from a series of journeys across Europe. Journeys from London to Sarajevo and between Auschwitz and Belzec result in images that examine the relationships between manmade intervention and the natural landscape, and attempt to negotiate the gulfs between past and present. Other works describe a changing London skyline and peel open a football pitch via a 360-degree photograph. NB: Projected photographs are sometimes unclear. Loss of sound during Q & A questions.