AirAA is a multimedia platform that broadcasts conversations within the Architectural Association (AA) beyond its homes in Bedford Square, Hooke Park and Montague Street. Recorded and produced at the AA in London, the AA’s podcast series bring together voices from diverse disciplines. Series include On the Steps of 36, which features conversations between members of the AA community and invited guests; Files on Air, which provides audio readings from authors of selected essays from AA Files; and A Line Traced, which aims to ask challenging questions to examine topics that require urgent architectural responses.










Welcome to the first episode of this series of A Line Traced, which will focus on Female Pioneers in the History of Virtual Reality. The series is hosted by Paula Strunden, a transdisciplinary VR artist with a background in architecture who taught on the AA’s Media Studies programme. In this episode, Paula interviews Krista Kim, a pioneer in blockchain-based art and the visionary behind the Mars House, the first-ever NFT house. Read more about the Mars House on Krista's website.
This series of A Line Traced will uncover the untold stories of female pioneers in the early history of VR. Many of the prevailing narratives within this history focus on technological advancements, the development of devices and figures dubbed the 'grandfather', 'father' and 'godfather' of VR. Yet when we investigate the experiences created during the first peak of the VR industry in the 1990s, many of the most significant contributions were made by women. Artists and theorists like Char Davies, Brenda Laurel, Monika Fleischman and Tamiko Thiel, to name a few, transcended the boundaries of binary thinking in the realm of human-computer interaction, interweaving the actual and the virtual, and the body and the mind. By tracing the lines connecting these women, along with the contemporary voice of Krista Kim, this series aims to reshape our understanding of VR's past and reframe the ongoing debates around the role of VR in architecture and in contemporary society.
As our society continues to unveil fractures within its social and political systems, A Line Traced aims to examine topics that are immediate, prescient and impact the build environment in ways that require urgent architectural responses. An AirAA podcast conceived, recorded, mixed, edited and distributed from the Architectural Association School of Architecture, which is based in Bedford Square in London. Special thanks to Thomas Parkes for his contribution to the production of our episodes.
HOST:
PAULA STRUNDEN is a transdisciplinary VR artist with a background in architecture. She has studied in Vienna, Paris and London, and worked at Raumlabor in Berlin and Herzog and de Meuron in Basel. Paula is currently pursuing a PhD at the Academy of Fine Arts Vienna, as part of the project ‘Communities of Tacit Knowledge (TACK): Architecture and its Ways of Knowing’, funded by the European Union’s Horizon 2020 programme under the Marie Skłodowska-Curie grant agreement No 860413. She is the founder of XR Atlas, an interdisciplinary online platform, and is a passionate advocate for the development of alternative historiographies of virtual technologies.
ABOUT A LINE TRACED:
As our society continues to unveil fractures within its social and political systems, A Line Traced aims to examine topics that are immediate, prescient and impact the build environment in ways that require urgent architectural responses. An AirAA podcast recorded, mixed, edited and distributed from the Architectural Association School of Architecture, which is based in Bedford Square in London. Special thanks to Thomas Parkes for his contribution to the production of our episodes.
AirAA podcasts are recorded, mixed, edited and distributed from the Architectural Association School of Architecture, which is based in Bedford Square in London. Special thanks to Thomas Parkes for his contribution to the production of our episodes.
The opinions expressed in AirAA podcasts are solely those of the participants and do not represent the opinions of the Architectural Association as a whole.